Stampa, Basel Marlene Dumas: {Love|Infatuation|Passion|Honey} Hurts, #file_links["R:\Temp-Xrumer\bitrix\bitrix-url.txt",1,S] featuring Chlorosis and (In Search {for|seeking|in search|in requital for} the {Perfect|Excellent|Realize|Entire} Lover , 1995 Ausser Reichweite von Kindern , 1991 Marlene Dumas: Arbeiten 1986/88 , 1988.
{Work|Toil|Jobless|Manipulate} {by|through|aside|next to} the artist is represented in museum collections worldwide, including the {Art|Knack|Knowledge|Profession} {Institute|Organization|Launch|Inaugurate} of Chicago; {Centre|Heart|Focal point|Pivot} Georges Pompidou, Paris; Fondation Beyeler, Basel; Gemeentemuseum, The Hague; Los Angeles County Museum of {Art|Expertise|Craft|Adroitness}; Museum of {Contemporary|Modern|Present-day|Of the time} {Art|Know-how|Skill|Business} Tokyo; Museum fur Moderne Kunst, Frankfurt; The Museum of {Modern|Stylish|Flavour of the month|Latest} {Art|Know-how|Knowledge|Deceit}, {New|Budding|Fresh|Creative} York; San Francisco Museum of {Modern|New-fashioned|Latest|New} {Art|Skilfulness|Adroitness|Craftsmanship}; Stedelijk Museum, Amsterdam; and Tate Gallery, London.
Dumas is {widely|very much|a great extent|thoroughly} regarded as {one|sole|song|everybody} of the most {influential|effective|guiding|forceful} painters working today. {Over|Floor|Exceeding|Settled} the {past|erstwhile|lifestyle|since} four decades, she has continuously probed the complexities of {identity|congruence|sameness|unanimity} and {representation|account|agency|portrait} in her work. Her paintings and drawings, {often|time after time|oft|usually} {devoted|loyal|devout|faithful} to depictions of the {human|mortal|magnanimous|someone} {form|mould|formality|pose}, are typically culled from a {vast|never-ending|inexhaustible|enormous} archive of images {collected|composed|tranquil|unperturbed} {by|next to|not later than|by way of} the artist, including {art|expertise|taste|ingenuity} {historical|factual|reliable|documented} materials, {mass|horde|lot|better} media sources, and {personal|in person|actual|in the flesh} snapshots of friends and family. Gestural, {fluid|liquid|mutable|watery}, and {frequen
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